For true Science fiction fans, the Syfy channel has been a disappointment for a while now as it seems to have turned into The Paranormal Channel. But it seems there is hope for them yet.
On Monday April 15th, the premier of Defiance will air. If you’ve been living in a deep cave somewhere and are unaware of Defiance, this is a post-invasion/apocalypse story about a group of survivors manning a resistance base in St Louis fighting back against the aliens who have practically destroyed the earth. OK, not exactly an original story line, but what makes this one different (aside from the promise of some outstanding special effects) is the fact that the TV series is to be tied to the video game and (eventually) top players in the game will be helping to steer the show’s progress. This will either become a ground-breaking multi-media tie-in or the most shameless video-game promotion ever. I suspect the latter, but I’m willing to give it a chance. More on Defiance is available here: http://www.defiance.com/
In addition, Syfy has several other promising science fiction projects in the works: (Most of the following was gleaned from io9.com)
In the Pipe
Helix: Syfy is currently filming 13 episodes of an intense thriller about a team of scientists from the Center for Disease Control. After being sent to the Arctic to investigate a possible disease outbreak, they soon become entangled in a far more apocalyptic affair, facing a terrifying life-and-death struggle that holds the key to mankind’s salvation or total annihilation.
Blakes 7: Syfy has approved a reboot of Blake’s 7, with a pilot written by Joe Pokaski (Heroes) and directed by Martin Campbell (Casino Royale). The original series, which ran on the BBC between 1978 and 1981, followed the exploits of a group of renegades and convicted criminals. According to FremantleMedia, the new series will be set in 2136 and will tell the story of seven criminals – six guilty and one innocent – on their way to life on a prison colony in space, who together wrestle freedom from imprisonment. They acquire an alien ship which gives them a second chance at life and become the most unlikely heroes of their time.
Potential Candidates
Ringworld: Yes, Larry Niven’s classic science fiction book series about the coolest megastructure in space could finally be getting a four-hour miniseries, according to Entertainment Weekly. EW describes this as a story about human explorers traveling to the farthest reaches of space to investigate “an alien habitat the size of one million Earths.” They crash land and discover ancient civilizations, miraculous technology, and a possible salvation for Earth. Syfy considered making a Ringworld miniseries nine years ago, with a different crew. Let’s hope this turns out better than Syfy’s two Riverworld miniseries, and its Earthsea mini. This is being written by Michael Perry (The River, Paranormal Activity 2). And it’s a co-production of MGM Television and Universal Cable Productions (UCP).
Childhood’s End: Another miniseries based on a classic science fiction book, this one by Arthur C. Clarke. This is the novel about which Upstream Color director Shane Carruth said he loved for its clever take on an alien invasion: “even the victims don’t know that they’re victims. It’s a closed loop of a story, to have a race show up and provide everything, and that’s the way that they conquer, in a way that nobody would ever recognize or resist.” All we know about this miniseries is it’s being executive produced by Michael DeLuca (The Social Network). (Also via EW.)
Infinity: This is one of several space shows that Syfy is putting into development, but this one is notable for being the creation of Javier Grillo-Marxuach, creator of The Middleman. It’s being produced by Berman/Braun and Universal Television. According to The Hollywood Reporter, this one starts out with an alien “armada” appearing near Pluto. Earth sends the only interstellar ship we have, created by a billionaire industrialist out of secret alien technology we discovered in the 1960s. But after the ship engages the alien fleet, it falls into a wormhole and winds up in deep uncharted space, searching for a way home. Expect lots of Middleman-style humor and insanity in this one.
Orion: The second space-based show comes from Alphas writers Ron Milbauer and Terri Hughes, and it focuses on Orion, a “female relic hunter” who tracks down valuable items in space, while also trying to piece together her own mysterious past. And meanwhile, the human race is in the middle of an intergalactic war with an alien race. Orion has special abilities, but she can’t decide whether to use them to save herself, or to find the hidden artifacts that could save the human race. (No guesses which one she’ll choose.)
Sojourn: A third spaceship show — or fourth, if you count Blake’s 7. The first detective in space has to solve a murder on a starship that’s on its way to colonize a new planet, and gets drawn into a “vast conspiracy” that has to do with a terrible crime that was committed when the ship was launched 50 years ago. This one comes from writer Phil Levens (Smallville) and producer Jason Blum (Paranormal Activity).
Clandestine: And a fifth space show. They should just show all of these pilots over a week, and let us vote. This one comes from writers Todd Stashwick and Dennis Calero, but it’s executive produced by John Shiban (X-Files, Supernatural, Torchwood). In this one, there’s a clan of bandits who are attacked and “left for dead” by Coalition forces, and they’re forced to take refuge inside a derelict Coalition spaceship that’s just floating in deep space. Once on board, they decide to masquerade as Coalition officers while continuing their life of piracy — until they stumble on a secret about the true nature of the Coalition. This sounds very Blake’s 7, actually. Gale Ann Hurd (Walking Dead) is also producing.
High Moon: Another space show, albeit one closer to Earth. This one has Bryan Fuller (Pushing Daisies) as an executive producer, although the pilot is mostly written by Jim Danger Gray (also Pushing Daisies). In High Moon, Earth’s nations all start establishing colonies on the Moon to exploit all the natural resources up there — and then they discover “a new form of life.” Chaos breaks out “in a genuinely emotional, humorously thrilling and always unexpected fashion,” according to the logline quoted at Deadline.
Silver Shields: And now, a non-space-based, not-so-much Science Fiction show, which means this one has better odds of making it to television. It comes from writer Robert Hewitt Wolfe (Alphas, Star Trek: Deep Space Nine) who had the space show Defender in development this time last year. In Silver Shields, Caymer is a farm boy whose father is murdered by assassins connected to the government of the nearby city Pont Royal. So Caymer goes to the city and becomes a police officer, like his father was, and tries to solve his father’s murder — in a city full of orcs and other magical creatures.
Shelter: A massive meteorite is on a collision course with Earth, so 30,000 people have to go live in an underground shelter, where things quickly descend into infighting and scheming. Meanwhile, life on the surface is not what everyone expected, and the survivors soon realize that they may have been meant for a greater purpose. This comes from writer/producers Bruce Joel Rubin (Deep Impact) and Ari Rubin.
No Place: Suburbanites living in a gated community wake up and discover that the rest of the world outside their gates has vanished, in this series based on the Top Cow comic The Test by Matt Hawkins and Joshua Hale Fialkov. According to the official logline, “residents of a high-tech gated community awaken one morning to find themselves alone and cut off from the rest of reality – nothing exists beyond the community’s walls. Only one man has contact with the powers responsible for what is known as ‘The Rift,’ and he must lead his fellow residents beyond the void to discover the truth.”
If ANY of these science fiction shows make it to the screen, they should help to draw nose-thumbers like me back to the Syfy Channel. Which ones do you especially want to see made?
I was excited to discover this post, Alan. SyFy really lost credibility with me after BSG ended. They followed up with only one season of a new show that took place before BSG was to have taken place. It had promise, but they hooked me in and left me to die. When SyFy began reality shows I figured they could care less about true SyFy fans. The networks do a better job right now than SyFy could. I am crossing my fingers that at least one of the shows you mentioned will be worthy of what SyFy used to offer. I guess we’ll have to wait and see..I just pray the writers won’t hand us more silly crap aimed at 13 year olds … Like Warehouse 30, or whatever it’s called.
I could not agree more, Deb. SyFy claims that the ratings on Science Fiction shows are too low to keep them on the air; people like the paranormal and horror better. I find that hard to believe, but then I don’t hang out with the paranormal/horror crowd. At the moment the best source for great science fiction entertainment is my DVD collection. It would be great to see even a couple of these programs get (and stay) on the air.
I am SO psyched that they are attempting to do Science Fiction again. The woman “in charge” moved on up: she hated SciFi, hence wrestling and the other crap on the station. I’m scared of what they will do with Ringworld and Childhood’s end, but excited for both projects as well.
Fingers crossed and hope for Defiance and others to work. I’ll be watching. (and…I’d rather they just bought the rights to show the original Blakes 7)
Anyone who hates Sci-Fi had no business being in control of Syfy. That would explain a lot, maybe better times are ahead. I am almost always disappointed by book-to-screen conversions. Only the original Andromeda Strain was done reliably. Dune was the worst ever (IMHO). Since Ringworld and Childhoods End were two of my favorite books, I expect the adaptations will be disappointingly different, but hopefully visually entertaining nonetheless.
Personally, I think the only reason BSG did so well was that it had the backing of NBC funds….I don’t think “SyFy” could have pulled it off.
As for Ringworld….needs better writers already, given the choice they made. Hell, They could do a *LOT* better by hiring on the team that made the indie flick “L5”. Now THAT’s hard sci-fi.
The Blake’s 7 thing for me. Hopefully it won’t be the kind of wild west take that we had in Firefly. No, sorry, didn’t think much of what I saw of Firefly. But Blake’s 7 was good.
I loved Firefly, but can see that it would not be for everyone. (Is anything?) Can’t say I’ve seen Blake’s 7, but I have seen many references to it. It must have been quite popular. (Just not popular among the TV producers). “They” always say, “It just didn’t get the ratings” but sometimes wonder if they actually use ratings or if they just schedule stuff they think we should like. Or, maybe all the Nielsen Families just hate true sci-fi. SGU, Terra Nova, and Falling Skies all go in the tank, but Buffy the Vampire Slayer went viral? Something wrong there! 🙁 Thanks for joining the discussion, Greta.
It’s funny that you’ve thought of it as the paranormal channel because I’ve been thinking of it as the cheesy movie channel. I mean, there have been some great ideas that they’ve ruined and some ideas that you just want to know who to slap for coming up with it, let alone still filming the thing. 🙂
I have to admit that I haven’t watched a sci-fi series since Battlestar Galactica went off the air; I wonder what might intrigue me again some day.
Seems every time I slide in there for a moment – usually while setting up my DVR – they have some ghost hunter or zombie show on. Now they’re touting something with William Shatner called Weird or What? Maybe its becoming the cheesy paranormal channel. 🙂 Thanks for dropping in Mitch!